The Welcome Wagon: Welcome to the Welcome Wagon
A release from the Ashmatic Kitty label, the Welcome Wagon are a husband and wife duo who sing, sweet, uncomplicated songs about faith, love and religion. The record clerk I bought it from described it as being “Great, as long as you don’t mind people singing about Jesus all the time”. I don’t, and I’m glad I bought it. the instrumentation is fairly simple. Sufjan Stevens seems to do a lot of the heavy lifting in terms of background accompaniment. It sounds like it was developed by sincere amateurs, and I mean that in the most complimentary way that it can be taken. It’s a fairly solid album, but two tracks that stand out for me are “Up on a Mountain” and “Never said a mumblin’ word”. Worth a look, as long as you don’t mind people singing about Jesus.
Another Ashmatic Kitty release, this is the stylistic antipodes of the Welcome Wagon. Eerie falsetto, crashing cymbals and piano, drum loops and and abstract lyrics give this album a bewildered, haunted feel in keeping with its title. The first track off the album, “Issac’s Song” chills, with Smith singing (I think) “I brought him” over and over again till his voice crescendos to an inarticulate cry,with the aforementioned pianos and cymbals crashing in the background. This song is radiates despair, confusion and seems haunted with the presence of looming terror. Considering that the titular Isaac is meant to be in reference to the Old Testament’s Abraham and Isaac, this makes sense. The second song “Pity Dance” takes a more meditative, solemn approach with Stith expressing a desire for honesty and communion, while seemingly afraid that the only thing he might receive is punishment. Stith asks “How many things can I say to you/And expect shock horror/shock horror/shock horror to descend again in sweet oblation”, and then goes on to the state that “the body waits/for obliteration”. Not an cheery album, but very rewarding. If you can listen to”Isaac’s Song” and not get chills, you’re doing it wrong.
The first song on this album “Beware your only friend” opens with Will Oldham singing ”I want to be/your only friend” with the back up singers replying or asking ”Is that scary?”. This sets the tone for the rest of the album, which largely deals with dysfunctional relationships and heartbreak. However, the odd thing is that while this sounds like a downer of an album, it largely isn’t. Oldham’s clever lyrics and warm singing voice seem to encourage the listener to simply openly acknowledge that our relationships, sexual or otherwise, will always be manifestly imperfect and never what we wan them to be. A particularly good example of this is the song “You Don’t Love Me” where the narrator says of his lover “You say that my kiss wouldn’t raise a six on a scale of one to ten/ and you wouldn’t spend your time with me ‘cept you’re tired of all your friends” or “You don’t love me/That’s all right/because you do me all though the night”. Very funny and bittersweet.
Brian Eno & David Byrne: Everything That Happens Will Happen Today
I wasn’t expecting this album to be anything less than amazing, and it didn’t disappoint. The opening track “Home”, skillfully evokes feelings of nostalgia, loneliness, a desire to belong, and the acknowledgement that none of us can ever fully escape our origins: “Home/Will infect everything you do”. Other personal favorites from the album include “Strange Overtones” and “Big Nurse”. “Strange Overtones” also happens to have an amazing video. This is probably the most poppiest album I’ve been listening to, out of all of them. For those who remember Byrne from his Talking Head days, rest assured that his ability to craft smart, odd lyrics remains undiminished.
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